Brian Kulick will step down as the Artistic Director of Off-Broadway’s acclaimed Classic Stage Company following the current 2015/2016 season. Kulick will be succeeded by the company’s current Associate Director, Tony Award-winner John Doyle. Doyle will assume the position in July of 2016. Kulick, who has led Classic Stage Company for twelve seasons, will direct two of the current season’s mainstage productions: Mother Courage and Her Children, starring Tonya Pinkins and Nathan the Wise, starring F. Murray Abraham. Doyle will direct the season’s final offering, Peer Gynt.
Said Brian Kulick, “CSC is one of New York's essential cultural institutions, and I've had the honor and good fortune to serve as its Artistic Director for the past twelve years. Thanks to the confluence of extraordinary artists, a devoted audience, a stellar staff, loyal funders, and a dedicated board, CSC is well positioned for me to pass the baton so that I can devote more time to my own independent directing, my work at Columbia University and my ever-patient family. I am grateful to my friend and associate John Doyle, who will carry on the responsibilities of Artistic Director as of next season. I will stay on for that year as a consultant to make sure that John's transition is a smooth one. After that I look forward to returning to 13th Street as an ardent audience member of one of our nation's most intimate and electrifying theatrical spaces.”
Kulick was named Classic Stage Company's sixth Artistic Director in 2003. In its 48 year history, Mr. Kulick's length in tenure is second only to the Company's founder Christopher Martin. While tripling the theatre's subscription base and general operating budget and substantially increasing CSC’s profile, Mr. Kulick also directed a dozen of the theatre's defining productions including Shakespeare's The Tempest with Mandy Patinkin, Brecht's Galileo with F. Murray Abraham, Ostrovsky's The Forest with Dianne Wiest and commissioned and co-directed poet Anne Carson's An Oresteia. Kulick returned the theatre to its roots with critically acclaimed productions of Shakespeare and multi-year programs like the Chekhov and Brecht cycles. He instituted CSC’s popular Musical Theatre Initiative with productions of Sondheim’s Passion and Rodgers and Hammerstein’s Allegro (both directed by Doyle). He brought new work to CSC with such important writers as David Ives, whose Venus In Fur transferred to Broadway and received a Tony Award nomination for Best Play. He also created The Young Company which brings Shakespeare to young and underserved audiences in all five boroughs of NYC. He is a professor at Columbia University's School of the Arts where he continues to teach in the MFA Directing Program with Anne Bogart.
Said Lynn Angelson, Chair of the Board, “All of us at CSC are grateful to Brian for the extraordinary range of classical work he has brought to our Company and for the stellar teams of great actors and distinguished theater artists that he has attracted to our stage. While we respect his decision to pursue his career beyond CSC, we look forward to the two productions he will lead in our upcoming season. Brian will leave a legacy of established relationships with the New York theatre community. We are so fortunate that Brian introduced us to John Doyle several seasons ago, and thrilled to have John continue to build on those relationships and our expanded programming."
John Doyle joined CSC in 2013 as the company’s Associate Director. For CSC, he directed the highly-acclaimed productions of Stephen Sondheim’s Passion (2013, Drama Desk Nomination, Outstanding Director of a Musical) and Rodgers and Hammerstein’s Allegro (2014, Drama League Nomination, Best Revival of a Musical). Additional theatre in the US includes: Sweeney Todd (Tony, Drama Desk and Outer Critics Circle Awards, Best Director of a Musical; Drama Desk Nomination Outstanding Set Design of a Musical); Company (Tony, Drama Desk and Outer Critics Awards Best Musical Revival; Tony and Drama Desk Nominations, Outstanding Director of a Musical); A Catered Affair (Drama League Award, Best Musical Production; Drama Desk Nomination, Outstanding Director of a Musical); The Visit (Tony Nomination, Best Musical; Drama Desk Nomination, Outstanding Director of a Musical); Ten Cents A Dance (Williamstown/ McCarter); The Exorcist (The Geffen, LA); Road Show (Public Theater/Menier Chocolate Factory); Where’s Charley? and Irma La Douce (Encores!); Wings (Second Stage); A Bed and a Chair (City Center); Kiss Me Kate (Stratford); Caucasian Chalk Circle (ACT); Merrily We Roll Along and The Three Sisters (Cincinnati). In the UK, John has been Artistic Director of four regional theaters--The Worcester Swan, The Cheltenham Everyman, The Liverpool Everyman, The York Theatre Royal--and was also Associate Director of the Watermill Theatre, Newbury. During these residencies, he directed numerous productions of new and classic works. Noteable credits include: Female Parts, Sweeney Todd, Gondoliers, Mack and Mabel (West End); A Midsummer Night’s Dream (Regent’s Park Open Air Theatre); Oklahoma! (Chichester); Amadeus (Wilton’s Music Hall); The Millennium Cycle of Mystery Plays (London); Carmen, Fiddler on the Roof (Watermill); The Wars of the Roses, The Madness of George 111 (York); The White Devil, Othello, Candide (Liverpool). Opera includes Madama Butterfly, The Dialogues of the Carmelites, (Grange Park); Lucia Di Lammermoor (Houston/La Fenice/Sydney Opera House/Scottish Opera); Peter Grimes (Metropolitan Opera, New York); The Rise and Fall of the City of Mahagonny (LA Opera, starring Audra McDonald and Patti LuPone). He directed the feature film Main Street (starring Colin Firth and Ellen Burstyn). John is co- author of Shakespeare for Dummies. Upcoming Broadway production is The Color Purple.
Said John Doyle, “I am delighted to have been invited by the board of CSC to become their next Artistic Director. To follow Brian Kulick’s remarkable tenure is an honor, as he has done so much to develop a challenging audience and repertoire. I look forward with gratitude to this new chapter in my relationship with the New York theatre community.”